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How to use RTAS (Pro Tools) Plugins Inside Logic Pro

Submitted by reubenrowntree on Wed, 02/16/2011 - 22:03

How to use RTAS (Pro Tools) Plugins Inside Logic Pro

The following article describes a way of using Pro Tools RTAS plugins inside another host such as Logic Pro. "Why?" You may ask. Well, because quite simply there are some pretty cool plugins for Pro Tools that you just can't get anywhere else - one of my favourites is the Sansamp PSA-1 distortion plugin. This thing just growls on the bass :)

Note: this method not only applies to Logic and Pro Tools but any two DAW's that support VST or AU plugins.

 

 

 

 

 

 

 

 

This method requires two extra pieces of software one of which is free, the other is paid for, but thankfully it is quite popular and many people are already using it:

Plasq Wormhole 2 (free)

FXpansion VST to RTAS Adapter (€75 Euro)

Essentially we are going to use Pro Tools as an "effects rack" for Logic, so we are going to send audio to Pro Tools, apply the plugin in realtime, and send the signal back to Logic. However, the important thing is we are going to do this all via software, so there are no physical cables needed of course. And the real beauty of this method...We are going to get Logic to calculate the delay and compensate accordingly. So, we can add Pro Tools plugins to a Logic mix and adjust them in realtime with delay compensation.

Step One

Insert a Wormhole instance on the desired track in Logic. For instance, I'm going to insert the Wormhole on my bass guitar track. Type in a name at the top so we can find the plugin inside Pro Tools, and select "Insert" in the Insert Chain section - this determines the plugin mode.

WH1

 

 

 

 

 

 

 

 

 

 

 

Step Two: Pro Tools

Open a new session in Pro Tools making sure to use the same samplimg rate as in Logic Pro. Create a new "Aux Track" in Pro Tools and insert a Wormhole plugin in the first effects insert slot, and the last like so:

 

 

 

 

 

 

 

 

 

 

Eventually you will be able to insert plugins in between these two Wormhole plugins.

Open the first plugin and select 'before', it also lists the name that you gave the plugin inside Logic (in this example: Bass)

 

 

 

 

 

 

 

 

 

The plugin should now look like this:

 

 

 

 

 

 

 

 

Next open the last plugin and select 'after', notice how it is the only available option. It is also a good idea to disable the audio output of this plugin so you do not hear the sound running through Pro Tools - we want to hear the sound inside Logic instead.

 

 

 

 

 

 

 

 

 

 

 

 

Step Three: Logic and Delay Comprensation

Now that the plugins are all configured you should be able to play your Logix session and hear the audio being routed through Pro Tools. Be sure to click the auto button inside the Latency section of the plugin. This reports the total time taken for the audio to be sent to Pro Tools, have DSP (plugins) applied and return. It then reports this to Logic which will automatically compensate for the delay - presuming you have delay compensation turned on in the preferences.

The Logic plugin should now look as follows.

 

Conclusion

The real beauty of this system is that you can then tweak the plugins inside Pro Tools in realtime as you mix enabling you to hear the plugin in context with your whole mix. And remember this concept can be applied to any other software DAW as well, so you are not just limited to Logic and Pro Tools, but Cubase and Ableton or any other combination you can think of. Happy tweaking!

Reuben Rowntree
Learning Advisor for Logic 201 SAE Online course

Yes you can use AU plugins in Pro Tools as well!

The nature of Wormhole, does allow you to send audio the other way as well. If you can get audio in and out of Pro Tools like I have shown then you should be able to do the same thing but the other way around. However, there are two major problems with this way. The first is you must use a "live" track in Logic, so either use an audio track and enable "input monitior" mode (the I button) or use an aux track (best created in the mixer).

The second problem is that Pro Tools cannot cope with the required amount of delay this incurs. Therefore your track will be out of time with the other tracks, unless you manually adjust with the time adjuster plugin.

So, first insert a Wormhole inside Pro Tools and select "insert". Then in Logic Insert a "before" Wormhole followed by the AU plugin or plugins of your choice, then add an "after" Wormhole plugin. Remember to disable all the "play-through" buttons except for the first plugin in Logic.

I have loved this course, and have learned a huge amount both in know how and practice. I prefer to learn by doing and trying things out and this has been possible and valued

Joanna Howard

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