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Sound Theory 201 is the follow-up course to Sound Theory 101. This course concentrates on the practical aspects of creating a recording. Using knowledge from Sound and Recording 101 or prior experience, you will conduct a Recording session from setup, using instruments, voice, loops or samples (at your discretion) to produce a finished product.

Curso dedicado a músicos, técnicos de sonido, aficionados, etc. La mezcla muchas veces no suena comparable a productos similares debido a falta de masterización, o falta de criterio al masterizar. El curso repasa conceptos básicos para avanzar a técnicas más sofisticadas de Masterización.

Why mastering? Song mixes often don't match one another throughout an album, or have the desired "power" and "size" due to confusion about goals and intention of the song, recordings or album. Taking a track and making it sound like a commercial recording takes a keen understanding of sound, song, commercial expectations, and the entire technical mastering process.

This Microphone Techniques and Placement course reveals secret recording techniques from award winning engineers, exposing proven mic placement techniques and the outboard gear used to create those huge sounds.

The acoustical treatment and equipment layout play an important role in our Auditory Environment. Good acoustic isolation can bring a lot more peace to your auditory environment whether it is your home studio or media screening room. Why is choosing a right chair more important than speaker placement?

Before you embark on your journey to build your own studio or any form of surround sound reproduction space, you might want to understand the pitfalls many have already had to live with. The difference between stereo and a surround listening environments require more than just multiple speakers. This course introduces you to the fundamentals required in designing a good surround listening environment.

You will learn essential and important techniques for recording drums. You will learn how to setup the recording room, to establish good communication to the drummer, to check for any click problems, how to run a session in different situations (e.g, with or without band, cymbals after kick, snare and hihat) and to find out why a good room is important for recording.

This is a course on Propellerheads Reason for beginners who want to speed up the process of learning to work quickly with the software. You will learn Reason’s workflow, its instruments and devices, and how to record, edit and mix.